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On “Notice Me” it becomes clear that, at least in terms of hooks and melody, Post Malone is sort of like the white Quavo (obviously minus the rapping ability). Nice to hear Gucci on “CC”, and Quavo’s autotune is especially nice, but with this song, Migos do little more than set the bar for a standard club banger (something they have been doing for quite a while now). The bass on “Walk It Talk It” is WOW, and the hook is hard, but if you were expecting a blowaway Drake verse, you’ll likely be let down. Other songs that got high level features, “Walk It Talk It”, “CC”, and “Notice Me” are all good, but probably could have been better. 21 feels so uninspired, which is to be expected with his style, but his energy just doesn’t match up with the song and would’ve been much more fitting on an actual 21 Savage project. Especially disappointing considering the Ye contribution, but the blame largely falls on 21 Savage here. “BBO (Bad Bitches Only)” is the big disappointment of the album, and the ONLY song that wasn’t good enough to save. “Crown the Kings” has a solid beat and nice in the pocket flows, but these songs should be considered part of the casualties in having a 24 song tracklist. Offset shines on “Beast”, but overall is run of the mill and even kind of boring. Insanely trippy guitar samples and highly drowsy autotune may set the stage for a new subgenre, psych trap, which would be greatly welcomed in a genre overall lacking in defined subgenres.Ī couple songs that really failed to stand out in the lengthy tracklisting, are “Beast”, and “Crown the Kings”. Quick note, the wild and far out endings on “Emoji A Chain” and “Too Much Jewelry”, are awesome. Also, 2 Chainz brings probably the best feature on the whole record here. “Too Playa” brings the sax back, recently heard on HJ,JH, and it certainly feels like it may be the next trend, as it’s a definite vibe, and the song bobs hard. Also carried by Offset, “Flooded” has a great hook, with cold flows and production. Still, overall, Offset carries this song. A short Takeoff verse still manages to be one of the best utilizations of Takeoff’s unique vocals to date. “Emoji A Chain” has a super hard hook, and a pristine sound quality with a banging beat consisting of dark, shining synths. Travis and Ty$ live up to their standard, and Sean maybe even exceeds what’s expected of him. With a crew of features, it’s interesting this song happens to be one of the shortest on the album. “White Sand” is good, not necessarily amazing but it’s bound to be one of the early pull away hits of the album. The hook itself combines Quavo’s melody with Offset’s cutting flows, something that would be a developing story across the album, and Takeoff comes through with a good verse as well. The two have a back and forth dynamic on, and even though it feels limited it still really enhances the song. “Narcos”, “White Sand”, “Flooded”, “Emoji A Chain”, and “Too Playa” are a few of our favorite picks from Culture 2. On “Narcos”, Quavo and Offset do great work over an amazing sounding beat, with a vibe totally inspired by the shows theme. Thankfully the cover turned out to be more than just the roman numeral “II”, but it still lacks the classic look and feel of Culture, which would be symbolic for this album as a whole. The coverart for Culture 2 feels more like a throwback to their older covers than anything.
#CURREN$Y PILOT TALK TRILOGY TRACKLIST SERIES#
But, continuity is hardly to be expected with the Migos, as anyone who has listened to their previous series of tapes (No Label, YRN) would know. A year between the release of Culture and Culture 2 to the date is perfect for this genre, especially as the release and natural freshness of Culture 2 will at least temporarily age the songs of Culture. No, Culture 2 isn’t a continuative successor to Culture, as it plays much more like it’s riding the success of the first album.
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